Wednesday, June 30, 2010

Comics, comics, comics.

Another page of the continuing book that gives its title to this blog.
please enjoy.

Wednesday, June 23, 2010

The Black Angel returns--


-- very soon.

A whole new thing it's coming, but be warned, it's going to be all in Spanish.

Tuesday, June 15, 2010

CARMELO 360


here is a picture montage I made from the roof of the theater where I work. This is my home town. Hope you like it.

Saturday, June 12, 2010

A day in the life--

Well, it has been a while since I posted any comics in here, haven't it?
Here you have a glampse behind the courtains of what it was like when I used to work at the comic book store in NY. Right now I'm working on a few things for here and other places, so rest assured there's more to come.

Wednesday, June 2, 2010

Aha, Cap's costume revealed!

These pics leaked throught the net and I mannaged to snatch them for you.
This is conceptual art of the costume, and I read somewhere before that some guy from 'Ain't it cool news' got to see it and he described it online, a couple days after the pics showed up. Here you have them, they DO look cool, don't they?



Tuesday, June 1, 2010

June update


YAY!! ^_^
Issue three of "How to survive working in retail" it's complete and should be on its way to you in a couple of days on both formats, paper and digital, for my mates are about to print it in the states (make sure to go and buy it) and I will upload it everywhere somewhere this week.

It's very good news because I already started working on issue four, and I'm glad to say that I'm already up to page 5 in the pencil stage. I'm waiting for more paper to continue, here I leave you with a couple pics as a tease.



Also, this baby has been up for six months now. Wow, It feels like a hell of a lot more, but it sure has been fun though.

As my gift I leave you this little homage I made a very long time ago to a great movie using great characters, hope you like it.



Thanks for sticking around and let's hope for a brighter future.
More to come...

About the End of LOST.


The journey it's over, but what happened really?

So LOST finally ended. Now what?!

After watching the ending I felt confused to say the least. I, like millions of people more was also a big fan of the show, and as much as I regret it, not from the very beginning. I started watching it halfway through season 2, right when they were coming back from the mid-season break. I wasn’t familiar with ANY of the concepts or any of the characters from the show, and to be honest I hadn’t met anyone who was actually following the show. But I started anyway and got hooked right away. So much so that after watching season’s 2 ending I went out and got me season 1 on DVD. I haven’t let go since then.


But then it ended, and instead of giving us straight answers it open more doors and let a lot of loose ends. To be honest, after the show ended I felt stupid. I wasn’t sure if it was me that just wasn’t able to follow the story or if they were way too smart and [the writers] crammed the finale with references and allegories that where evading my mind. It was like watching Evangelion all over again, following 22 episodes of robots fighting each other to suddenly being thrown into the mindscape of the characters. It didn’t make any sense at all.

I mean, I knew right there that I was stupid enough to realize that there were a million psychological implications to that ending that were fleeting me because of my inexperience in that field in particular and in life in general.

Flash forward to this, it baffled me to be in the same spot so many years later, after getting more experienced, after living and seeing so much. Was it me or was it them then?

Evidently there was something wrong. After the event pixels poured over the internet, they where the voice of disgruntled viewers, not only hardcore fans, but people that have been following the show over the years and now were left alone, clueless.


Truth be told, after investing yourself into a show for six years, you want something a little more fulfilling. Battlestar galactica comes to mind, after four seasons they managed to give you a better ending. It might or might not be the ending you where expecting or you might have wished for, but one thing was for sure, it was more solid than the one we got after six years of lost.

Yes, there are things that you have to find out for yourself. The thing with the good and evil, the recurrence of certain characters, the traits of the candidates and so on. It was all fun and games, until episode 6-17/18 – The End. Yes, they are all dead, but why and when did that happen?

I’m not gonna postulate any thoughts or ideas of my own, my head’s still trying to wrap itself around the whole thing (you see, I don’t want to feel robbed and disappointed, I just don’t) but I found this online. This is supposedly an explanation made by a guy who had allegedly worked on the show as a writer. Apparently he was sacked like three years ago but still knew what was going on from the inside.

There are too many if’s and loose ends and maybes, I hope this can shed a little light on the ones like me had a rough time with this. There are a few statements in this body that contradict some points of the show, but over all seems like a fine assessment over this convoluted finale.

I still wonder though; Why was Penny with Desmond in purgatory? ^_-

Here comes the whole chunk written by this guy (not me) with no name.

First … The Island:
It was real. Everything that happened on the island that we saw throughout the 6 seasons was real. Forget the final image of the plane crash, it was put in purposely to f*&k with people’s heads and show how far the show had come. They really crashed. They really survived. They really discovered Dharma and the Others. The Island keeps the balance of good and evil in the world. It always has and always will perform that role. And the Island will always need a “Protector”. Jacob wasn’t the first, Hurley won’t be the last. However, Jacob had to deal with a malevolent force (MIB) that his mother, nor Hurley had to deal with. He created the devil and had to find a way to kill him — even though the rules prevented him from actually doing so.
Thus began Jacob’s plan to bring candidates to the Island to do the one thing he couldn’t do. Kill the MIB. He had a huge list of candidates that spanned generations. Yet everytime he brought people there, the MIB corrupted them and caused them to kill one another. That was until Richard came along and helped Jacob understand that if he didn’t take a more active role, then his plan would never work.
Enter Dharma — which I’m not sure why John is having such a hard time grasping. Dharma, like the countless scores of people that were brought to the island before, were brought there by Jacob as part of his plan to kill the MIB. However, the MIB was aware of this plan and interferred by “corrupting” Ben. Making Ben believe he was doing the work of Jacob when in reality he was doing the work of the MIB. This carried over into all of Ben’s “off-island” activities. He was the leader. He spoke for Jacob as far as they were concerned. So the “Others” killed Dharma and later were actively trying to kill Jack, Kate, Sawyer, Hurley and all the candidates because that’s what the MIB wanted. And what he couldn’t do for himself.
Dharma was originally brought in to be good. But was turned bad by MIB’s corruption and eventually destroyed by his pawn Ben. Now, was Dharma only brought there to help Jack and the other Canditates on their overall quest to kill Smokey? Or did Jacob have another list of Canidates from the Dharma group that we were never aware of? That’s a question that is purposley not answered because whatever answer the writers came up with would be worse than the one you come up with for yourself. Still … Dharma’s purpose is not “pointless” or even vague. Hell, it’s pretty blantent.
Still, despite his grand plan, Jacob wanted to give his “candidates” (our Lostaways) the one thing he, nor his brother, were ever afforded: free will. Hence him bringing a host of “candidates” through the decades and letting them “choose” which one would actually do the job in the end. Maybe he knew Jack would be the one to kill Flocke and that Hurley would be the protector in the end. Maybe he didn’t. But that was always the key question of the show: Fate vs Free-will. Science vs Faith. Personally I think Jacob knew from the beginning what was going to happen and that everyone played a part over 6 seasons in helping Jack get to the point where he needed to be to kill Smokey and make Hurley the protector — I know that’s how a lot of the writers viewed it. But again, they won’t answer that (nor should they) because that ruins the fun.
In the end, Jack got to do what he always wanted to do from the very first episode of the show: Save his fellow Lostaways. He got Kate and Sawyer off the island and he gave Hurley the purpose in life he’d always been missing. And, in Sideways world (which we’ll get to next) he in fact saved everyone by helping them all move on …

Now…
Sideways World
:
Sideways world is where it gets really cool in terms of theology and metaphysical discussion (for me at least — because I love history/religion theories and loved all the talks in the writer’s room about it). Basically what the show is proposing is that we’re all linked to certain people during our lives. Call them soulmates (though it’s not exactly the best word). But these people we’re linked to are with us duing “the most important moments of our lives” as Christian said. These are the people we move through the universe with from lifetime to lifetime. It’s loosely based in Hinduisim with large doses of western religion thrown into the mix.
The conceit that the writers created, basing it off these religious philosophies, was that as a group, the Lostaways subconsciously created this “sideways” world where they exist in purgatory until they are “awakened” and find one another. Once they all find one another, they can then move on and move forward. In essence, this is the show’s concept of the afterlife. According to the show, everyone creates their own “Sideways” purgatory with their “soulmates” throughout their lives and exist there until they all move on together. That’s a beautiful notion. Even if you aren’t religious or even spirtual, the idea that we live AND die together is deeply profound and moving.
It’s a really cool and spirtual concept that fits the whole tone and subtext the show has had from the beginning. These people were SUPPOSED to be together on that plane. They were supposed to live through these events — not JUST because of Jacob. But because that’s what the universe or God (depending on how religious you wish to get) wanted to happen. The show was always about science vs faith — and it ultimately came down on the side of faith. It answered THE core question of the series. The one question that has been at the root of every island mystery, every character backstory, every plot twist. That, by itself, is quite an accomplishment.
How much you want to extrapolate from that is up to you as the viewer. Think about season 1 when we first found the Hatch. Everyone thought that’s THE answer! Whatever is down there is the answer! Then, as we discovered it was just one station of many. One link in a very long chain that kept revealing more, and more of a larger mosiac.
But the writer’s took it even further this season by contrasting this Sideways “purgatory” with the Island itself. Remember when Michael appeared to Hurley, he said he was not allowed to leave the Island. Just like the MIB. He wasn’t allowed into this sideways world and thus, was not afforded the opportunity to move on. Why? Because he had proven himself to be unworthy with his actions on the Island. He failed the test. The others, passed. They made it into Sideways world when they died — some before Jack, some years later. In Hurley’s case, maybe centuries later. They exist in this sideways world until they are “awakened” and they can only move on TOGETHER because they are linked. They are destined to be together for eternity. That was their destiny.
They were NOT linked to Anna Lucia, Daniel, Roussou, Alex, Miles, Lupidis, (and all the rest who weren’t in the chuch — basically everyone who wasn’t in season 1). Yet those people exist in Sideways world. Why? Well again, here’s where they leave it up to you to decide. The way I like to think about it, is that those people who were left behind in Sideways world have to find their own soulmates before they can wake up. It’s possible that those links aren’t people from the island but from their other life (Anna’s parnter, the guy she shot — Roussou’s husband, etc etc).
A lot of people have been talking about Ben and why he didn’t go into the Church. And if you think of Sideways world in this way, then it gives you the answer to that very question. Ben can’t move on yet because he hasn’t connected with the people he needs to. It’s going to be his job to awaken Roussou, Alex, Anna Lucia (maybe), Ethan, Goodspeed, his father and the rest. He has to attone for his sins more than he did by being Hurley’s number two. He has to do what Hurley and Desmond did for our Lostaways with his own people. He has to help them connect. And he can only move on when all the links in his chain are ready to. Same can be said for Faraday, Charlotte, Whidmore, Hawkins etc. It’s really a neat, and cool concept. At least to me.
But, from a more “behind the scenes” note: the reason Ben’s not in the church, and the reason no one is in the church but for Season 1 people is because they wrote the ending to the show after writing the pilot. And never changed it. The writers always said (and many didn’t believe them) that they knew their ending from the very first episode. I applaud them for that. It’s pretty fantastic. Originally Ben was supposed to have a 3 episode arc and be done. But he became a big part of the show. They could have easily changed their ending and put him in the church — but instead they problem solved it. Gave him a BRILLIANT moment with Locke outside the church … and then that was it. I loved that. For those that wonder — the original ending started the moment Jack walked into the church and touches the casket to Jack closing his eyes as the other plane flies away. That was always JJ’s ending. And they kept it.
For me the ending of this show means a lot. Not only because I worked on it, but because as a writer it inspired me in a way the medium had never done before. I’ve been inspired to write by great films. Maybe too many to count. And there have been amazing TV shows that I’ve loved (X-Files, 24, Sopranos, countless 1/2 hour shows). But none did what LOST did for me. None showed me that you could take huge risks (writing a show about faith for network TV) and stick to your creative guns and STILL please the audience. I learned a lot from the show as a writer. I learned even more from being around the incredible writers, producers, PAs, interns and everyone else who slaved on the show for 6 years.
In the end, for me, LOST was a touchstone show that dealt with faith, the afterlife, and all these big, spirtual questions that most shows don’t touch. And to me, they never once waivered from their core story — even with all the sci-fi elements they mixed in. To walk that long and daunting of a creative tightrope and survive is simply astounding.

Saturday, May 29, 2010

Movie Talk #5 (this time it's two for one)


Shutter Island & The Book of Eli.

So, here is the deal, because I now live in a ‘third world country’ the release dates for the movies are not quite the same as the ones for the states. I also happen to work in a small theater and that means that unless the company that makes the distribution of the pictures has enough number of copies available I don’t get the movie right away. Point in case, last week I was able to see ‘Shutter Island’ and this week it was the turn of ‘The book of Eli’. Just to paint you a better picture, apparently here ‘Where the wild things are’ hasn’t even been released yet, oddly enough ‘Iron man 2’ opened here 1 WEEK before than in the USA.


Anyway, I was more than happy to finally watch the latest Scorsese movie, being that he is a tremendous director and I’m a big fan. Now, what is there to say about a psycho-thriller? That there is going to have suspense? A twist at some point? That it’s going to be scary?
Well, yes, mark all of the above, it’s all there. What we can also say by this point in life is that Scorsese it’s not a writer/director, he’s like Ridley Scott, he takes a book or a play or even another movie from someone else and then remake it/adapt it to make his own vision. In that sense he is in a whole other league than people like Tarantino, Kevin Smith, Robert Rodriguez and the likes. Of course this doesn’t mean that any of the listed above lack talent or anything like that, just that their M.O. it’s different, hence the final product has a different taste in your mouth.

The story is based on a novel written by Dennis Lehane and it’s set in 1954. With this comes a crime noir sort of style that works as a compliment to the story. An U.S. Marshall (Di Caprio) gets via ferry to an island/prison to investigate the disappearance of an inmate. As soon as he reaches shore he is greeted by looks of mistrust and defiance, that’s never good.
As he starts the investigation we are presented with all sorts of ‘colorful’ characters ranging from inmates, guards, nurses and doctors. The atmosphere there is a mix between Mengele’s lab and Arkham Asylum, as the story unfolds we start thinking about what is real and what’s not, and as we fall into Di Caprio’s shoes we also start to doubt everything about that and those that surround us.

Now to the meat of the whole thing, if you give a tailor sheets you can’t ask him to make a tuxedo for you out of it, now can’t you? With the distinction between director and writer/director I made before I was trying to make a point; Scorsese is clearly a film maker, and a damn good one too, but the story falls short (for my taste, that is). The atmosphere he creates it’s very oppressive, he carefully selects the shots that will help to that end, managing the soundtrack to match and using the lights to convey different emotions (hats off to the photographer too), he knows the tricks on the book, and he has a very good and big book.

The main problem here is on the acting level, there is very little of that in this Island, and if there is some I’m afraid that it isn’t very good. Di Caprio is doing the same character he’s been doing since circa ‘The Aviator’ and I’m extremely sure that is the same character he’s playing in ‘Inception’ after doing something like ‘What’s eating Gilbert Grape’ it’s very sad to see that he became a one trick pony. Ben Kingsley hasn’t done anything even close to remarkable since ‘Ghandi’, so, sorry Sir. And all the rest are just filling gaps here and there.
There is one though, the talented one that gets better and better every time and still has his name out of the marquee; Mark Ruffalo proved once that he can sustain a movie without having the lead role (he did that in Fincher’s ‘Zodiac’) and here he does it again. Eat your heart out Bill Paxton!

Now whether you should or shouldn’t watch this movie it’s as usual entirely up to you. It is a little predictable when it would have been better it wasn’t, the acting is poor but it looks gorgeous. I’ll say that it might work of you want to see it on DVD, and maybe more than once, because as you watch it over and over you start to see things you missed the first time and now they make all the sense in the world and in this twisted game.
Like I said before, a tailor can’t make a tux from sheets, but maybe he can give you some damn good shirts and summer trousers.
I like Scorsese better when he comes sans Di Caprio.



Now for the other one. There is something unexplainable about post-apocalyptic landscapes that I find extremely alluring. Every time I see a movie with this premise I watch in awe and I’m amazed by the sheer beauty of total desolation and utter destruction. What doctor? I’ll be right wit’cha.
I mean, I as an artist believe that it takes twice the effort to create destruction than it takes to create something nice and perfect, but that's just me.

Earlier this year (or close to the end of last) we had two movies set in the same post-apocalyptic future; on one hand we had ‘The Road’ and on the other ‘The book of Eli’. Now, as ‘The Road’ was a sort of ‘reaction’ film ‘The book of Eli’ is an ‘action’ one. Why so?
In the first one the characters did everything they did when they were reacting to what was happening around them, in the second one they take action as a way to make things happen, now THAT’S a difference.

Also, this happens to be an Action flick, with arms, knives and nine ways to blow up stuff ‘till Sunday. The other thing about this movie that I liked is that it ALSO has a story.

Denzel Washington is a man with a mission in more than one way. He is carrying a book, a copy of the last bible in existence (if you couldn’t guess it, then it is a spoiler) trying to take it to the west, where the little voices he hears in his head tell him to go. He comes across a little town run by Gary Oldman, who happens to be on the hunt for a certain book, heh heh, wink, wink.
Now, Mr. Oldman says; I want that book,
Mr. Washington says: well, you can’t have it.

And there you have the conflict. It is very clear that when the world comes to and end the answer is to walk, to walk a lot and as Mr. Walker would say it, keep walking. So Eli (Denzel) does just that. I the way he finds other people, because let’s face it, what would it be of a post-apocalyptic future without people trying to eat each other?
Let me tell you, when the end comes the vegetarians and vegans are gonna regret being the way they are.

Anyway he travels around carrying this book and killing in order to protect it, we see how he eats, lives, moves and ‘showers’ in these desperate times. Somehow he has an ipod, a generation one or two that still works (with the longest battery life in human history) and a little device he uses to charge it (you don’t wanna walk forever without music) and that drives him into the aforementioned town ruled by Carnegie (Olman).

What is the thing that you can’t get easily and the more you have the more you want?
If you said sex, shame on you!! If you said Power, bingo. Oldman is looking for this particular book, a book that gives you the power to make all the ignorant people that survived the last 30+ years do your biddings without asking, the kind of book with the power to transform a group of ignorants into a flock of believers, you catch my drift?

So they exchange wits and gun shots all thought the movie. The directors are the Hughes brothers (Albert and Allen), the same ones that raped and mutilated ‘From Hell’ back in 2001, but this time they seem to have learned something and they use it in this movie. There is a clear influence from the “Michael-Bay-school-of-blowing-stuff-up-adorning-it-with-fancy-camera-moves” but there is also a lot of road movie, pardon me, good road movie. They made such an improvement on their work that today they are making the kind of action movie that I’m sure people like Paul W.S. Anderson or Roland Emmerich would like to do themselves (If they had any trace of talent).

The religious tone of the movie is not that bad, at least not as bad as to make me want to ignore it, and although it is ‘preachy’ it never gets to the point of getting annoying.

All in all it’s fun to watch, and it also has a message, not necessarily the one you might think at first but still a valid one. In fact I think that depending from what standpoint you decide to see it it might actually have more than one. I choose to take this one: “there is hope even when there isn’t”
Totally worth having it on DVD, not a masterpiece but at least entertaining, and with a lot more acting on it that ‘Shutter Island’.

Here I leave you with my favorite line of the whole movie. It comes from an exchange between Carnegie and his right hand man, Redridge:

Carnegie: To his men "Search for them"
Redridge: For a fucking book?
Carnegie: IT'S NOT JUST A FUCKING BOOK, IT'S A WEAPON AIMED AT THE HEARTS AND MINDS OF THE WEAK AND DESPERATE, IF WE'RE TO RULE ONE MORE SMALL FUCKING TOWN, WE NEED THAT BOOK, PEOPLE WILL COME FROM ALL OVER THE WORLD IF THE WORD'S FROM THE BOOK!

Up next: Robin Hood by Ridley Scott (I hope)